registry 1 specimenNo. 0054 Go to sources Watch
Specimen 237specimen-237The War Room: lab notesa0b3a87130 s
recordingFull-length recordingpending
README.mdThe War Roomoverview
setup.mdProcedural sets based on Ken Adam's designs: a triangular concrete War Room with round bai5 entries
measurement.mdDuring playback the connectome model receives retinal input only, through the shared live-3 entries
limitations.mdNo footage, dialogue or soundtrack from the film is included.2 entries
sources.mdBFI Sight and Sound: Ken Adam's finest sets1 sources
README

The War Room

experimentNo. 0054categoryFilm & mediarecordingpendingdataCC BY 4.0

The fly sits at the War Room's round table as an aide, then becomes the B-52 commander who rides the released bomb toward a snowfield, in a procedural model of the sets of Dr. Strangelove (1964) populated entirely by flies.

Workstation still from The War Room

Recording pending publication. Follow along for the release.

Setup

  • Procedural sets based on Ken Adam's designs: a triangular concrete War Room with round baize table, suspended ring light, Big Board and buffet; a B-52 flight deck and bomb bay.
  • Fourteen supporting flies: a president, Air Force general, ambassador, scientist, four Joint Chiefs and two aides at the table, plus a four-fly bomber crew.
  • Ten cues over 130 seconds: assembly, the Big Board, recall, cockpit, low-level run, jammed bomb-bay doors, release, the bomb ride, a white flash and clouds on the horizon.
  • Eight cameras, including flight-deck, chase, bomb-bay and bomb-ride tracking views.
  • A Film monochrome toggle (on by default) applies a display-only black-and-white grade.

Measurement

  • During playback the connectome model receives retinal input only, through the shared live-retina path.
  • Bomber tracks, flight path, bomb motion, movement of the other flies and the ending clouds are pre-programmed.
  • The monochrome grade does not alter the canonical eye image.

Limitations

  • No footage, dialogue or soundtrack from the film is included.
  • The flash shows light only, not destruction; the ending clouds are simplified approximations.

Sources