registry 1 specimenNo. 0039 Go to sources Watch
Specimen 237specimen-237Dee and Kelley: Scrying Uriel: lab notes3db05a5180 s
recordingFull-length recordingpending
README.mdDee and Kelley: Scrying Urieloverview
setup.mdTen stages over 180 seconds: a composite of the 10 March 1582 conversations, the developed4 entries
measurement.mdRetinal-only neural windows during playback, with fixed weights. The canonical eye image a2 entries
limitations.mdAn explicitly labelled composite, not a reconstruction of one dated session.3 entries
sources.md10 March 1582, morning6 sources
README

Dee and Kelley: Scrying Uriel

experimentNo. 0039categoryRituals & ceremoniesrecordingpendingdataCC BY 4.0

The fly, as Edward Kelley, watches the framed stone at John Dee's Holy Table while a second fly as Dee questions and records, until Uriel, then a chair and table, appear inside the stone.

Workstation still from Dee and Kelley: Scrying Uriel

Recording pending publication. Follow along for the release.

Setup

  • Ten stages over 180 seconds: a composite of the 10 March 1582 conversations, the developed 1583 furniture and Uriel's appearance as described on 13 January 1584.
  • The Holy Table follows Ashmole's measurements: a 36 1/4 x 35 7/8-inch top, 0.7-inch thickness and a 14 1/4 x 11-inch centre of three columns and four rows. Historical plate marks supply the paintwork.
  • Four wax foot seals, the central Sigillum Dei Aemeth, silk coverings and a silver-framed crystal.
  • Six cameras, including table, crystal, Dee's notes, table feet and Kelley's first-person view. Inspect cutaways show the paintwork or seal in the viewport only.

Measurement

  • Retinal-only neural windows during playback, with fixed weights. The canonical eye image always shows the covered table, regardless of inspection cutaways.
  • The apparition is rendered from Kelley's reported vision; the flies do not independently perceive an angel.

Limitations

  • An explicitly labelled composite, not a reconstruction of one dated session.
  • Fly clothing, room layout, likenesses, lighting, gestures and timing are modeled; the room is not a survey of Dee's house.
  • No later Golden Dawn ritual or unsourced Enochian speech is inserted.

Sources